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Corpasenti Webulance Directory 14
Page 07
Those powers that are dissatisfied at our mobilization are eager to find our anxiety as without foundation for the mere reason that our territorial integrity remains under the guarantee of all the powers. But where was that guarantee when Tripoli and Cyrenaica were attacked in a way little differing from open brigandage? And was it not the same powers who forgot their guaranties in the Balkan Peninsula when they abolished the famous status quo? With such facts before us is it not ridiculous to speak of European guaranties? While we have now before us what happened to Belgium, why should our mobilization excite such widespread indignation? All we are trying to do is to safeguard and protect our interests and protect ourselves from aggression on the part of the Balkan States.
Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.
Five bells were hung at regular intervals on a round hoop erected on a sort of stage. A rope was attached to each bell after the manner of church bells. At a given signal from their master, they all sprang to their feet, and at a second signal, each advanced to the ropes, and standing on their hind feet, stuck their front claws firmly into the ropes, which were in that part covered with worsted, or something of the kind, so as to give the claws a firmer hold. There was a moment's pause--then No. 1 pulled his or her rope, and so sounded the largest bell; No. 2 followed, then No. 3, and so on, till a regular peal was rung with almost as much precision and spirit as though it were human hands instead of cats' claws that effected it.
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