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The Great Latin War_, B.C. 340.--The legion in B.C. 340 had almost entirely discarded the tactics of the phalanx. It was now drawn up in three, or perhaps we ought to say, in five lines. The soldiers of the first line, called Hastati, consisted of youths in the first bloom of manhood, distributed into 15 companies or maniples (_manipuli_), a moderate space being left between each. The maniple contained 60 privates, 2 centurions (_centuriones_), and a standard-bearer (_vexillarius_). The second line, the Principes, was composed of men in the full vigor of life, divided in like manner into 15 maniples, all heavily armed. The two lines of the Hastati and Principes taken together amounted to 30 maniples, and formed the Antepilani. The third line, the Triarii, composed of tried veterans, was also in 15 divisions, but each of these was triple, containing 3 maniples. In these triple maniples the veterans, or Triarii proper, formed the front ranks; immediately behind them stood the Rorarii, inferior in age and prowess, while the Accensi, or supernumeraries, less trustworthy than either, were posted in the extreme rear.

If a clew to the character of a nation is gained by a study of the nature of the gods it worships, no less valuable an insight is gained by a study of its heroes. Such a study confirms the impression that the emotional life is fundamental in the Japanese temperament. Japan is a nation of hero-worshipers. This is no exaggeration. Not only is the primitive religion, Shintoism, systematic hero-worship, but every hero known to history is deified, and has a shrine or temple. These heroes, too, are all men of conspicuous valor or strength, famed for mighty deeds of daring. They are men of passion. The most popular story in Japanese literature is that of "The Forty-seven Ronin," who avenged the death of their liege-lord after years of waiting and plotting. This revenge administered, they committed harakiri in accordance with the etiquette of the ethical code of feudal Japan. Their tombs are to this day among the most frequented shrines in the capital of the land, and one of the most popular dramas presented in the theaters is based on this same heroic tragedy.

The Achaean exiles, whose numbers were now reduced from 1000 to 300, landed in Greece (B.C. 151) with feelings exasperated by their long confinement, and ready to indulge in any rash enterprise against Rome. Polybius, who had returned with the other exiles, in vain exhorted them to peace and unanimity, and to avoid a hopeless struggle with the Roman power. Shortly afterward an adventurer laid claim to the throne of Macedonia (B.C. 149). He was a man of low origin called Andriscus, but he pretended to be the son of Perseus, and assumed the name of Philippus. At first he met with some success, and defeated the Roman Praetor Juventius, but, after reigning scarcely a year, he was conquered and taken prisoner by Q. Metellus.


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