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Corpasenti Webulance Directory 01
Page 01
During the Numantine war Rome was menaced by a new danger, which revealed one of the plague-spots in the Republic. We have already had occasion to describe the decay of the free population in Italy, and the great increase in the number of slaves from the foreign conquests of the state.[59] As slaves were cheap, in consequence of the abundant supply, the masters did not care for their lives, and treated them with great barbarity. A great part of the land in Italy was turned into sheep-walks. The slaves were made responsible for the sheep committed to their care, and were left to supply themselves with food as they best could. It was an aggravation of their wretched lot, that almost all these slaves had once been freemen, and were not distinguished from their masters by any outward sign, like the negroes in the United States. In Sicily the free population had diminished even more than in Italy; and it was in this island that the first Servile War broke out.
In my opinion these characteristics, also, are due to the conditions of society, past and present, rather than to the inherent nature of the people. The old civilization was easy-going; it had no clocks; it hardly knew the time of day; it never hastened. The hour was estimated and was twice as long as the modern hour. The structure of society demanded the constant observance of the forms of etiquette; this, with its numberless genuflections and strikings of the head on the floor, always demanded time. Furthermore, the very character of the footgear compelled and still compels a shuffling, ambling gait when walking the streets. The clog is a well-named hindrance to civilization in the waste of time it compels. The slow-going, time-ignoring characteristics of New Japan are social inheritances from feudal times, characteristics which are still hampering its development. The industrious spirit that is to be found in so many quarters to-day is largely the gift of the new civilization. Shoes are taking the place of clogs. The army and all the police, on ordinary duty, wear shoes. Even the industry of the students is largely due to the new conditions of student life. The way in which the Japanese are working to-day, and the feverish haste that some of them evince in their work, shows that they are as capable as Occidentals of acquiring the rush of civilization.
The graphic art of the Apache finds expression chiefly in ceremonial paintings on deerskin, and in basketry. Only rarely have they made pottery, their roving life requiring utensils of greater stability. Such earthenware as they did make was practically the same as that of the Navaho, mostly in the form of small cooking vessels. Usually the pictures are painted on the entire deerskin, but sometimes the skin is cut square, and at others ceremonial deerskin shirts are symbolically painted. Occasionally the Apache attempts to picture the myth characters literally; at other times only a symbolic representation of the character is made. In addition to the mythic personages, certain symbols are employed to represent the incident of the myth. These paintings are made under the instruction of a medicine-man and are a part of the medicine paraphernalia. On some skins the most sacred characters in Apache mythology are represented symbolically--Naye{~COMBINING BREVE~}nezgani, the War God; Tubadzischi{~COMBINING BREVE~}ni, his younger brother; Kuterastan, the Creator of All; Stenatlihan, the chief goddess. In fact the symbolism on an elaborately painted deerskin may cover every phase of Apache cosmology.
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